I make instruments that watch, listen, and learn.

Built from industrial materials and custom electronics, my handcrafted objects develop behavioural models of the people who play them — accumulating gestural data over sessions until prediction begins to precede response. Sound, light, and video mapping make the machine’s inference visible in real time. Trained as an engineer in human-machine interaction and working as an artist across fabrication, circuit design, sound synthesis, photography, and bookbinding, I am interested in the moment when a responsive system becomes an anticipatory one — and in the questions of authorship, consent, and entanglement that arrive with it.